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Axe Series 1991-1995
Thats it then
Philip, wearing one of his hats from Nepal, hammers the last of the stakes into the ground to keep the raspberries under control!

2040 cm high x 1670 cm wide
Acrylic on 12 oz canvas
Started 1989/Finished 1999
Two to go
Just two more stakes to be put into the ground to control the raspberries. At this stage Philip felt as though he were floating in space after the exertion

2160 cm high x 1720 cm wide
Acrylic on 12 oz canvas
1989/199
One Too
Philip grows a lot of raspberries, but it’s largely the birds which eat them. This picture refers to the winter task of staking up the bare canes to stop them falling over. Philip is using number 8 wire to keep the unruly canes in check

2030 cm high x 1740 cm wide
Acrylic on 12 oz canvas
1989/1999

One
This painting fuses the axe handle, the eye and the stakes with a North Indian influence. This is a close-up look at the hands and part of the axe handle. The border design comes from the hat.

2500 cm high x 2040 cm wide
Acrylic on 12 oz canvas
1990/1999

One Ti Go
Wearing another of his hats from the Trade Aid shops, Philip is hammering in more stakes, this time for an electric fence

2460 cm high x 1770 cm wide
Acrylic on canvas
1989/1999

Move Move
The two faces in this painting reflect a Mayan influence. Philip wanted to paint the arms as ropes or cords, showing some of their functional value

2000 cm high x 1710 cm wide
Acrylic on 12 oz canvas
1989/1999

Two and Half
Philip reflected a cultural influence from the North American Indigenous Peoples in this painting.

2640 cm high x 2040 cm wide
Acrylic on 12 oz canvas
1990/1999

Inside Out
It’s the blue jersey that’s on in-side out, to keep it cleaner while the stakes are being hammered in with an axe. Philip calls this his very innocent painting, referring to the facial expression.

2010 cm high x 1720 cm wide
Acrylic on 12 oz canvas
1989/1999

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